Crescent Arts Centre

BOX OFFICE +44 (0) 28 9024 2338

HAMLYN

Juan Mayorga gives the Grimm Brother’s fairy tale a modern twist to reveal a new plague, the economic and institutionalised exploitation of children in this sadly all too prevalent

AFRICA DAY: Manukahunney & Special Guests

Take three fine female voices, add the class of The Supremes, the funk of James Brown, the soul of Aretha, and a slice of now. Blend with brass and rhythm sections drawn from Northern Ireland’s hottest musical talent; and what you have is the sweet sound of Manukahunney.

Micky Bartlett:

Micky Bartlett is Northern Ireland’s answer to Kevin Bridges. Only 25 years old, he is one of the funniest and most popular acts on the entertainment circuit today

Livewire Workshop: Jamiroquai's Rob Harris

Rob Harris has built up an enviable track record as a consummate professional pop and funk guitarist: an active session player and sideman and also band member of some of the pop worl

Decasia: The State of Decay. A film by Bill Morrison.

Bill Morrison's Decasia is that rare thing: a movie with avant-garde and universal appeal. Presented by Belfast Photo Festival.

The Bell Jar

Celebrating the fiftieth anniversary of the novel's publication, Crescent Arts Centre's resident company Green Room Productions presents The Bell Jar by Sylvia Plath.

August 2013 Programme

Our April - August 2013 term is jam packed with your favourite classes and workshops, as well as some exciting new additions. Enrol online here, or call us on (028) 9024 2338 today!

Livewire Workshop: Carl Verheyen

Presented by Amped Guitar School and the Crescent Arts Centre

PIAF: The Songs

Eve Loiseau sings the songs of Edith Piaf with Fiona Barrow, violin & Murray Grainger, accordion.

BOB DYLAN & THE HISTORY OF ROCK ’N ROLL - An Evening With Writer Michael Gray

This is more than a talk. With wit and style, the author of The Bob Dylan Encyclopedia and Song & Dance Man III: The Art Of Bob Dylan - definitive studies of Dylan’s 50-year body of work - traces how rock’n’roll arrived for the teenage Robert Zimmerman, how it had disintegrated into safe and shallow pop by the time Dylan was ready to launch his own career, and how it lured him back after his folksinging days.